REVIEWS OF BOOKS
Identifieur interne : 000841 ( Main/Exploration ); précédent : 000840; suivant : 000842REVIEWS OF BOOKS
Auteurs : E. R.Source :
- Music and Letters [ 0027-4224 ] ; 1937.
English descriptors
- Entity :
- pers : Alfred Einstein, Byrd, Don Juan, E. E. Gluck, Edmund H. Fellowes, Einstein, George Gascoigne, Henry Peacham, Phoenix M. William, Queen Mary.
- place : Victoria.
- Teeft :
- Additional research, Admirable book, Alfred einstein, Ardent enthusiast, Artistic instance, Author point, Average english musician, Bell descriptive music, Biographical section, Brief summary, British music, Catholic conviction, Certain passage, Chamber music, Chief bass part, Chromatic motet, Compleat gentleman, Consecutive fourth, Consecutive octave, Considerable length, Constant litigation, Contemporary appreciation, Contemporary document, Continental contemporary, Cook waltz, Dedicatory epistle, Delightful piece, Discordant note, Distinct movement, Dominant thirteenth, Dramatic impassioned declamation, Earliest example, Einstein end, Encyclopaedic memory overmuch, Exact prototype, Exhaustive analysis, Familiar minnelied, Fellowes, Fellowes claim, Fellowes claim priority, First example, First thing, Fivepart mass, French opera, French version, Friihen graber, Full score, Fulsome flattery, Future development, Future research, General reader, George gascoigne, Gossec addition, Great book, Great deal, Great italian, Great service, Greatest composer, Harmonic feeling, Henry peacham, High order, Historical research, Hungarian concerto, Impolite remark, Important correction, Information relative, Instrumental melody, Interesting chapter, Juan ballet, Keyboard music, Large number, Last movement, Last year, Long life, Major divinity, Many instance, Master musician, Melodic phrase demand, Merest featherweight, Minuet form, More exact, More remarkable, More reverent, More stress, Much counterpoint, Much less familiar, Music byrd, Music type, Musical interest, Musician interested, Nineteenth century, Numerous lengthy poem, Obstinate refusal, Orfeo gluck, Oxford university press, Parish church, Particular medium, Passion music, Personal history, Phrygian cadence, Point review, Practice common, Present study, Present volume, Prevalent habit, Previous book, Professional singer, Queen mary, Real gluck, Religious recusancy, Royally favoured, Same time, Scholar skilled, Scholarly proof, Short notice, Similar setting, Special need, Sturdy independence, Subtle phrasing, Such prophecy, Sufficient evidence, Suggestive appreciation, Tentative result, Thematic development, True gluckian, True instrumental style, Useful appendix, Variation form, Violin concerto, Vocal implication, Vocal style, Welcome feature, William byrd, Wind instrument.
Url:
DOI: 10.1093/ml/XVIII.1.75
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>Byrd</term>
<term>Don Juan</term>
<term>E. E. Gluck</term>
<term>Edmund H. Fellowes</term>
<term>Einstein</term>
<term>George Gascoigne</term>
<term>Henry Peacham</term>
<term>Phoenix M. William</term>
<term>Queen Mary</term>
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<keywords scheme="Entity" type="place" xml:lang="en"><term>Victoria</term>
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<keywords scheme="Teeft" xml:lang="en"><term>Additional research</term>
<term>Admirable book</term>
<term>Alfred einstein</term>
<term>Ardent enthusiast</term>
<term>Artistic instance</term>
<term>Author point</term>
<term>Average english musician</term>
<term>Bell descriptive music</term>
<term>Biographical section</term>
<term>Brief summary</term>
<term>British music</term>
<term>Catholic conviction</term>
<term>Certain passage</term>
<term>Chamber music</term>
<term>Chief bass part</term>
<term>Chromatic motet</term>
<term>Compleat gentleman</term>
<term>Consecutive fourth</term>
<term>Consecutive octave</term>
<term>Considerable length</term>
<term>Constant litigation</term>
<term>Contemporary appreciation</term>
<term>Contemporary document</term>
<term>Continental contemporary</term>
<term>Cook waltz</term>
<term>Dedicatory epistle</term>
<term>Delightful piece</term>
<term>Discordant note</term>
<term>Distinct movement</term>
<term>Dominant thirteenth</term>
<term>Dramatic impassioned declamation</term>
<term>Earliest example</term>
<term>Einstein end</term>
<term>Encyclopaedic memory overmuch</term>
<term>Exact prototype</term>
<term>Exhaustive analysis</term>
<term>Familiar minnelied</term>
<term>Fellowes</term>
<term>Fellowes claim</term>
<term>Fellowes claim priority</term>
<term>First example</term>
<term>First thing</term>
<term>Fivepart mass</term>
<term>French opera</term>
<term>French version</term>
<term>Friihen graber</term>
<term>Full score</term>
<term>Fulsome flattery</term>
<term>Future development</term>
<term>Future research</term>
<term>General reader</term>
<term>George gascoigne</term>
<term>Gossec addition</term>
<term>Great book</term>
<term>Great deal</term>
<term>Great italian</term>
<term>Great service</term>
<term>Greatest composer</term>
<term>Harmonic feeling</term>
<term>Henry peacham</term>
<term>High order</term>
<term>Historical research</term>
<term>Hungarian concerto</term>
<term>Impolite remark</term>
<term>Important correction</term>
<term>Information relative</term>
<term>Instrumental melody</term>
<term>Interesting chapter</term>
<term>Juan ballet</term>
<term>Keyboard music</term>
<term>Large number</term>
<term>Last movement</term>
<term>Last year</term>
<term>Long life</term>
<term>Major divinity</term>
<term>Many instance</term>
<term>Master musician</term>
<term>Melodic phrase demand</term>
<term>Merest featherweight</term>
<term>Minuet form</term>
<term>More exact</term>
<term>More remarkable</term>
<term>More reverent</term>
<term>More stress</term>
<term>Much counterpoint</term>
<term>Much less familiar</term>
<term>Music byrd</term>
<term>Music type</term>
<term>Musical interest</term>
<term>Musician interested</term>
<term>Nineteenth century</term>
<term>Numerous lengthy poem</term>
<term>Obstinate refusal</term>
<term>Orfeo gluck</term>
<term>Oxford university press</term>
<term>Parish church</term>
<term>Particular medium</term>
<term>Passion music</term>
<term>Personal history</term>
<term>Phrygian cadence</term>
<term>Point review</term>
<term>Practice common</term>
<term>Present study</term>
<term>Present volume</term>
<term>Prevalent habit</term>
<term>Previous book</term>
<term>Professional singer</term>
<term>Queen mary</term>
<term>Real gluck</term>
<term>Religious recusancy</term>
<term>Royally favoured</term>
<term>Same time</term>
<term>Scholar skilled</term>
<term>Scholarly proof</term>
<term>Short notice</term>
<term>Similar setting</term>
<term>Special need</term>
<term>Sturdy independence</term>
<term>Subtle phrasing</term>
<term>Such prophecy</term>
<term>Sufficient evidence</term>
<term>Suggestive appreciation</term>
<term>Tentative result</term>
<term>Thematic development</term>
<term>True gluckian</term>
<term>True instrumental style</term>
<term>Useful appendix</term>
<term>Variation form</term>
<term>Violin concerto</term>
<term>Vocal implication</term>
<term>Vocal style</term>
<term>Welcome feature</term>
<term>William byrd</term>
<term>Wind instrument</term>
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